(1819-1902) In addition to extant records left by Cook and now in collections at the Library of Congress and the Valentine Museum (Richmond, Va.), a recent biography which draws heavily on family documents has contributed greatly to filling in many gaps in the life of George S. Cook.
Born in Stratford, Conn., he was apparently orphaned as a baby, and raised by his maternal grandmother in Newark, N.J. He left that city in 1833, at the age of 14, and traveled with a group of settlers to Pittsburgh, Pa. He worked his way south on the rivers until he reached New Orleans, La. either in 1837 or early 1838. Developing a flair for painting, he apparently gained recognition for his work. Family records indicate that two friends of Cook's, a novelist and a physician, acquired daguerreian equipment (probably in late 1839 or early 1840), and "Made their apparatus available to Cook."
Cook may have learned additionally from William H. Harrington, who operated first in Tuscaloosa, Ala., and had a gallery in New Orleans, La., from February to about June, 1842. Records currently indicate Cook did work for H.G. Ely when that daguerreian established a gallery in New Orleans c. 1844, at 3 Exchange Place. Cook reportedly opened a gallery in the city in 1845, and may have taken over Ely's gallery.
If he did open a gallery in the city, he closed it in mid-1845 to travel north. He purchased new equipment in New York City, and in October set up business in Newark, N.J. He recorded 75 portraits made that month. He remained in the area through part of 1846, daguerreotyping in other cities, including New York.
In 1846, he exhibited five frames of daguerreotypes at the American Institute, New York City, N.Y.
In September, 1846, he married a woman from Newark, and the couple began a westward trip. By October, the couple was in St. Louis, and Cook plyed his daguerreian trade there for three months.
From January until May, 1847, he had a temporary gallery in Natchez, Miss. They traveled from there to Memphis and on to Nashville. Whether Cook worked in either city is unknown. It is known that he worked as a daguerreian in Huntsville, Ala. from approximately August until November, 1847; he also gave instruction in the art. It was there that he taught the process to an H. Thomas. In November, 1847 he moved his gallery to Athens, Ala. for a month, and then to Florence, Ala. By January, 1848 he was in Tuscumbia, Ala.
In March, 1848 he was operating in Columbus, Ga., where he apparently remained for several months. In August he was in Warm Springs; in September in Macon; the following spring in Milledgville; and in May in La Grange.
Cook and his family returned to Columbus, Ga. by July, 1848, and apparently used that as his base of operations for the next year.
By October, 1849 Cook had relocated, apparently permanently, in Charleston, S.C., and began to establish his reputation.
Previous research had indicated that in many of these areas, Cook would instruct an "assistant" and then leave him in charge of the gallery when he (Cook) moved on. There is apparently no mention of this practice in the family records.
In 1849-1850 he was noted with a daguerreian gallery in Charleston, S.C., and advertised in 1850 that he had won the highest premium at the South Carolina Institute Fair for his daguerreotypes. He advertised similarly in 1851.
It was also in 1851 that Cook operated Mathew Brady's daguerreian gallery in New York City while Brady traveled in Europe. While Cook was in New York, A.D. Gale operated his gallery in Charleston. Gale did not remain long, however, as he left by June, 1851 for Macon, Ga. In that same year, Cook exhibited three double full plate daguerreotypes and eight full plates at the American Institute, Castle Garden, New York.
While in Brady's employ in New York, in May, 1851, Cook also purhcased the gallery of C.C. Harrison, at 293 Broadway, and installed W.A. Perry as principal operator.
According to family records, Brady was displeased with this arrangement, and cut his European trip short to return to New York in May, 1852 and reclaim his gallery. It was at this time that Cook also sold the gallery he had purchased from Harrison, and returned to Charleston, affirming that he was not connected with any New York City Gallery, but was "completely in Charleston." His New York gallery was probably occupied by N.G. Burgess. His Charleston gallery was at 235 King Street, opposite Hassell Street, over James E. Spear's Jewelry Store. Cook lived at 236 King St. Among the operators employed by Cook were A.G. Park in the early 1850's; A. McCormick in 1856 and 1860; and F.W.R. Danforth in 1859, as an ambrotypist.
From 1852 to 1859, he advertised as a daguerreian, stock depot, and instructor in the art. By 1860, over half of the documented photographers in South Carolina purchased their equipment and supplies from Cook. He operated his gallery in Charleston until 1880. He was assisted in the gallery in the late 1870's by his son, George LaGrange Cook. The younger Cook took over the gallery in 1880 when his father moved to Richmond, Va.
In March, 1852, a horse crashed into his Charleston gallery. He apparently left Charleston for a period in 1854, as his return was noted in November of that year. It was also in 1854 that he was reported to have pioneered paper photography in the city.
In 1856 he offered Ivorytypes and Sphereotypes. In 1856, at his Charleston gallery, he may have employed A. McCormick as an operator. It is known that McCormick was an operator for Cook in 1860.
Also in 1856, Cook reportedly purchased the daguerreian gallery of Marcus A. Root, in Philadelphia, Pa., and was associated with Root in the gallery. Another source states that when M.A. Root & Co. was formed in 1856, the firm included Cook.
In 1857, Cook was listed as a daguerreian, at the "Root Gallery", southeast corner of Fifth and Chestnut Sts., Philadelphia. In the same year, he had daguerreian scenes of Charleston published in an article in Harper's Monthly Magazine.
In 1858, Cook was listed at the "Root Gallery", 434 Chestnut St., Philadelphia, Pa., southeast corner of Fifth and Chestnut Sts.
From 1858 to 1860, he was also listed as a daguerreian at 181 Lake St. Chicago, Ill. His residence in 1858, 1859 was listed as Philadelphia, Pa. In 1859-1860 he was listed as a daguerreian in Chicago at the same address, in partnership as Fassett & Cook. While Cook did not spend time in the Chicago gallery, his participation apparently included his expertise imparted to Fassett, as well as supplying him with equipment. In 1859 he continued to be listed as well at the "Root Gallery", 434 and 820 Chesnut St., Philadelphia, Pa. The 820 Chestnut St. address was opposite the Girard Theater. He was reported to have opened the gallery at the latter address in 1859.
One researcher reports that it was probably financing from Cook and one of the Root brothers (probably Marcus) that allowed S.M. Fassett to move into new daguerreian quarters in Chicago in 1858. A partnership between Fassett and Cook ended with the beginning of the Civil War. Cook moved to Chicago, apparently just long enough to have Abraham Lincoln and his son Tad visit the studio for a portrait.
In 1880, Cook moved to Richmond, Va.; he died in 1902 in Bel Air, near Richmond.
There is a report on Cook making a copy daguerreotype, eight times mormal size, on a mammoth plate. Imprinted velvet, "George S. Cook, Artist, Charleston."