(1819?-1875) During the course of his daguerreian career, Jesse Harrison Whitehurst established more than a half-dozen galleries in various cities, including Richmond, Petersburg and Lynchburg, Va.; Louisville, Ken.; Baltimore, Md.; Washington, D.C.; New York City, N.Y., Weldon and Wilmington, N.C. There is also a report of a gallery in Tarborough, N.C., in 1851, operated by Whitehurst and employing Lucian Vannerson as an operator.
The 1850 census noted he was born in Virginia in 1823. However, an obituary prepared by a relative indicates he was born in 1819.
Reportedly, Whitehurst learned the daguerreotype process in New York City in 1843, and, in the fall of 1843, with an unidentified friend, opened a gallery in Norfolk, Va. Earlier studies indicated he opened a gallery that same year in Charleston, S.C. In January, 1844, he opened a gallery in Richmond, Va., and updated research indicates that in February, 1844, the New York firm of "Whitehurst and Manning" opened a gallery at 190 King Street, Charleston, S.C.. The gallery was short-lived; this was also Jesse H. Whitehurst.
In the first six years of his operations, there were reportedly 60,000 images sent out from his establishments, providing employment for 23 assistants.
It was the Richmond gallery that employed Lucian Vannerson in 1850, and may also have employed Julian Vannerson before he went to Washington either to work at or help establish the Whitehurst gallery there in 1849.
In an ad for his Richmond gallery in 1850, Whitehurst noted he had five galleries, and planned to add New York City and Washington, D.C. He also advertised that he had 27 assistants running his galleries, and that he visited them quarterly. He noted that the gallery produced 30,000 images annually. It was reported later he employed some 33 assistants. In reporting on Whitehurst's daguerreian technique, and noting specifically the gallery in Richmond, H.H. Snelling reported the daguerreian used a "revolving background, which is set in motion during the operation, and produces a distinctness and boldness in the image not otherwise to be obtained. The effect upon the background of the plate is equally pleasing; it having the appearance of a beautifully clouded sky."
BALTIMORE, MD
In Baltimore, Md., one source noted the gallery there in 1850 at 207 Baltimore Street; Whitehurst was not listed in the directory for that year. Another source, however, places Whitehurst in Baltimore in 1849, at 207-1/2 Baltimore Street. Whitehurst may have occupied the 205 Baltimore Street address from July, 1851 to September, 1857, although one source listed him at 209 Baltimore Street in 1851-1852; 213 Baltimore Street from October, 1857 until April, 1860; and 123 Baltimore Street from May, 1860 until 1864. During much of the time, Whitehurst lived on Lombard Street, near Sharp Street.
The same source quotes the census for 1850 as showing a $6,000 investment in the Baltimore gallery (average investment for other daguerreians seemed to be in the $300 range). Whitehurst noted six male employes, and reported producing 6,500 daguerreotypes yearly. In 1850 Whitehurst may have employed Lucien Vannerson as an operator. In the same year, Edward C. Horwell was noted as an operator at Whitehurst's 207 Baltimore Street gallery.
In 1857 the gallery was burned out by fire in August or September. A newspaper article reporting the fire also noted Whitehurst planned to open a new gallery.
It was apparently this new gallery that was located over 213 West Baltimore Street. Recent research indicates the last listing for Whitehurst's Baltimore gallery was in 1863-1864.
At some point in time, Robert W. Addis was reported to have worked for Whitehurst in his Baltimore gallery; Addis was listed in Baltimore from 1853 to 1856. The most likely time period for Addis to have worked for Whitehurst appears to be 1855 and 1856.
NEW YORK CITY, N.Y.
Whitehurst's gallery in New York City was listed on Broadway at the corner of Leonard Street in 1850. In 1851-1852 it was listed at 349 Broadway, at the corner of Leonard. This was probably the same address. One of his employes at this gallery at this time was a "Mr. Martin." The Owego, N.Y. Gazette newspaper reported the arrival of Mr. Martin, "from Whitehurst's celebrated gallery" in that town Sept. 11, 1851.
In 1851, Whitehurst exhibited at the American Institute, Crystal Garden, New York. He exhibited six double full plate daguerreotypes; nine full plates; five two-thirds plates; eighteen half-plates; and a single quarter-plate. On March 28, 1852 the gallery suffered a fire; in April he was reported to be refitting them. In August he sold the gallery to Jeremiah Gurney.
In 1853, Whitehurst exhibited at the Crystal Palace, including ten daguerreotypes of Niagara Falls. Another report indicates he exhibited twelve double whole plates of Niagara at the 1851 Crystal Palace exhibition; the views were reportedly taken in September, 1850.
NORFOLK, VA.
Whitehurst opened his gallery in Norfolk, Va., in 1843. This may have been his first gallery, and was originally opened with a friend, whom he bought out.
In 1850, it was listed on Main Street; in 1851-1852 he was listed with a gallery at 14 Newton buildings, East Main Street, near Main Square. In the same year, he employed T.W. Clark as a daguerreian.
PETERSBURG, VA
In Petersburg, Va., Whitehurst was listed with a gallery as early as 1850. In 1851-1852 the gallery was located on Sycamore Street, and was noted still in operation in 1854.
LYNCHBURG, VA
In Lynchburg, Va., Whitehurst's gallery was listed in 1850 on Main Street. It was noted at the same location in 1851-1852; in 1853 he sold the gallery to Gibbs.
RICHMOND, VA
In Richmond, Va., Whitehurst was listed as a daguerreian as early as 1845-1846, at 170-1/2 Main St., upstairs. By 1850, he had employed Lucian Vannerson at the Richmond gallery, and may have employed his brother Julian Vannerson as well.
In 1850-1851, he was listed as a daguerreian at 77 Main Street, upstairs. He noted at this time he had five galleries, in Baltimore, Norfolk, Petersburg, and Lynchburg; and that he planned to add New York City and Washington, D.C. From 1851 to 1855 the gallery was listed at 77 Main Street. During the period of 1852-1853 he apparently employed Solon Jenkins, Jr. at the gallery.
In 1852, C.G. McIntyre was listed as an assistant at Whitehurst's Gallery. In 1855-1856 J.M. Joslin was listed as a photographic operator at 77 Main St., upstairs. In 1856, the gallery was listed on the south side of Main Street between 14th and 15th Streets. In the same year, L.H. Morse was listed as a daguerreian with Whitehurst's gallery. Whitehurst not listed in Richmond directories in 1859.
WASHINGTON, DC
Whitehurst's gallery in Washington, D.C. was listed in 1850, on Pennsylvania Avenue. It continued to be listed there in 1851-1852; and in 1856 employed H.O. Neal as an operator.
WILMINGTON, NC
Whitehurst is believed to have opened the first permanent gallery in the state of North Carolina, in Wilmington, in January, 1853. He reportedly hired Benjamin F. Harrison, reportedly the best daguerreotypist in North Carolina, to head the gallery operation. Located on Front Street, the gallery was in Mozart Hall above Hart and Polley's store.
In 1854, he employed M.M. Mallon as a daguerreian; this is probably the "Mallen" referred to in an 1875 article. He refurbished the gallery in summer of 1854, but closed it for unknown reasons in January, 1855.
-----------------------
An obituary, prepared by a relative, appeared on September 28, 1875, in The Norfolk Landmark:
"On the morning of the 8th instant JESSE H. WHITEHURST departed this life at his residence 26 North Gilmore Street, Baltimore, Md., aged 55 years and 11 months.
"The subject of this notice was born in Princess Anne county, Va., moved to Norfolk at the age of fifteen, learned the business of cabinet-making, during which time natural talen and genius for original thought would spontaneously rise to the surface, and soon developed the fact that no single branch or department of trade would satisfy his thirst for advancement. He possessed extraordinary strength of mind, and had he enjoyed advantages the youth of this day have, his might and most probably would have been a more conspicious and brilliant career.
"He was the first to introduce daguerrean work in Norfolk, in 1843, over J.M. Freeman's store, Main street, and ran with such success that soon his field of operation reached eight large cities, with a gallery in each. Still thirsting for expansion, his attention was too much drawn from the work at hand to other and larger operations, his daguerrean business commenced declining, and finally was abandoned.
"His strong mind, still bent upon originality, dilligently and laboriously sought for and located several (before undiscovered) rich guano islands in the Caribbean Sea, after years of intense and severe examination, the value of which islands can scarcely be computed. We learn that his right and title to them has been acknowledged by the government, and he was at the time of his death fitting up and preparing to send foward vessels to bring home the rich fertilizer, which, no doubt, would have amply repaid for all the outlay. We hope the Government will render all assistance consistent with justice to the family of our unfortunate and enterprising citizen in reaping the rich harvest from the labors of our deceased friends.
"His inventive talent was great, and but for lack of funds and impaired health, would have astonished the minds of men. His generous nature was pictured n every step of his life, never known to close his hands to a worthy applicant for aid even to his last declining days; though heavy reverses had come upon him, he was cheerful and hopeful through all, ever ready to say cheer up and share with me the little we have, and better fortune will reach us bye and bye. He leaves a widow and eight children to mourn his loss."
Notes: Whitehurst advertised that he invented the 'Morteotype,' the practice of embedding likenesses in tombstones. Among the employes Whitehurst was reported to have over the years are Hunt, an artist noted in his employ, date and location unknown. Col. J.R. Johnson has been noted as a possible daguerreian, in the employ of J.H. Whitehurst, date and location unknown. He was reported to have been from Cincinnati, Ohio. Albert Park was also listed as a possible daguerreian in the employ of Whitehurst, date and location unknown.
Note: While there is a citation for the existence of Whitehurst's Louisville, Ken., gallery (an apology because this researcher cannot pinpoint the source of the information at this time), other current research cannot locate a citation.
Note: One researcher reports a notation on the Weldon, N.C. gallery in a Whitehurst ad in the Washington, D.C. directories for 1853 and 1855, but not in 1858.