A daguerreian and a camera manufacturer, he was first recorded in Boston, Mass., from 1845 to 1847. There he was listed as daguerreotypes, 96 Washington Street, in partnership with John Whipple. He lived in Roxbury. One source noted the firm known as Litch, Whipple and Co.
In 1846 he advertised taking the largest portraits in the United States; life size, with from two to 50 people on the same plate. Southworth and Hawes countered with an ad stating they used the largest plates, and warned customers not to be misled into thinking a life-size full-length portrait could be had. From 1846 to 1848, one source noted a daguerreian partnership of Litch, Whipple and Cannon, but this is unsupported by directory listings. From 1845 to 1847, Litch was listed in partnership as Litch and Whipple (J.A.) at 96 Washington Street, Boston. If there was a "Cannon" involved in the partnership, it would probably have been Marsena Cannon, who was listed in those years without a business address. Litch was not listed in Boston directories in 1847-1848.
In 1850-1851 Litch was listed as a daguerreian at 23 and 24 Phoenix Building, New Haven, Conn., in partnership as Moulthrop (M.) and Litch. His residence was listed as boarding at 176 George Street. In 1851 he was listed as a daguerreian artist in Waterbury, Conn., in partnership as Litch and Granniss. This is probably the same Litch noted as working as a salesman at Scovill's store, New York City, at some point in 1851.
In 1852, Litch was reported by one source as being in partnership with Jeremiah Gurney in New York City, although the city partnership directory does not support that claim.
In March, 1853 Humphrey's Journal reported that Litch was traveling in Europe, and was about to open daguerreian rooms in Liverpool or London with Terry. Litch returned to New York in June. Upon his return, Litch was reported to have worked for Scovill, and then for Holmes, Booth and Haydens late in this year.
In February, 1854, it was announced in Humphrey's Journal that Litch was "now making cameras". In August, the magazine announced that Holmes, Booth and Haydens had taken over Litch's cameras. The implication is that they would now be called Holmes, Booth & Haydens cameras, but would have Litch's name on them. Two months later, the Journal reported that Litch was no longer with Holmes, Booth and Hayden's, and that his name would no longer appear on their cameras. He was reported to have joined with O.H. Cooley in Springfield, Mass. as a daguerreian, but there is no evidence to prove this.